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MY HEART BELONGS TO CRAZY HORSE By Lysi Whisler
The sky was the color of brushed pewter, with patches along the horizon couched in the hue
of tarnished armor on the morning that Annie Jane Brokenshire fell in love with Crazy Horse. A thick fog bathed the
tree-lined streets in a giant stretch of smoky webs, cast Annie Jane's bedroom in grey shadows that mirrored every known
shade of rain.
It happened while Annie Jane was in the shower, with her eyes clenched shut and the hot water
coursing over her body like melted sunshine. She was so intent to belie the mood of the world she almost missed the sneak
of realization, which didn't come with a clap of thunder.
Rather it crept, like a crocodile out of a bog, a maw-dripping
pierce of strength she didn't recognize till it snapped her from behind.
Annie Jane didn't feel bitten, though.
Only penetrated, filled, and forever transformed by something incredibly sweet and surprising.
I'm a cream puff,
Annie Jane decided. And I'm in love with Crazy Horse.
The first thing she did was flush her Zoloft down the toilet.
Good-bye
depression. She waved her fingers as the pills swirled around in a tornado of blue chemicals. Good-bye anxiety. Good-bye Zoloft.
I don't need you anymore. I'm in love with Crazy Horse.
That was one annoyance forever banished to the sewers of northern Virginia.
Now
for the small matter of her fiancé.
He wasn't going to take this well. After all, they were perfect for each other,
Annie Jane and Trevor Wilson, III. Annie Jane's friends and family adored Trevor. He was Prince Charming in a power tie.
And Annie Jane, wasn't she just the prettiest thing? She was neither brought by the stork nor hidden under cabbage leaves
in the garden.
One sunny morning, Glinda the Good Witch dusted off her cauldron, filled it with spring rain, stirred
in rose petals and rainbows and all those colored sugars used to decorate Christmas cookies, waved her wand and blew
a kiss over the whole mess and out popped Annie Jane! Trevor Wilson, III and Annie Jane Brokenshire. A perfect match.
Crazy
Horse was going to be a real problem.
The Brokenshire-Wilson wedding was scheduled to take place on Saturday, three
days hence. Dozens of friends and family members were flying in from all over the country. The church and reception hall were
reserved. The cake and flowers paid for. And let's not forget the mortgage. Another kink in Annie Jane's discovery was
the fact that she and Trevor lived together, had in fact bought the condo they shared before they'd ever made solid
plans for tying the knot. Who needs a marriage license when you share a house payment? Annie Jane and Trevor might as
well have been married for three years now. They just hadn't taken the vows.
The vows.
Yes. Annie Jane accepted
it. She was in love with Crazy Horse.
There it was, and there was nothing she could do about it. She figured she
had two options where Trevor was concerned. There was no way she was going home to her mother, so she gathered all of Trevor's stuff—well,
not all of his stuff, but all of the stuff he cared about most—and placed it outside the front door, in the hallway.
Annie
Jane struggled with Trevor's free-weight set, piece by piece. She ignored curious neighbors waiting for the elevator while
she added his favorite blue jeans, his label maker, his Washington Redskins baseball cap, and his iPod. He already had
his briefcase and cell phone with him at work, as well as his pager and his hair gel. That should about cover all the
things most important to Trevor Wilson, III.
Annie Jane danced into the kitchen—releve, grand jete, pas de bourree!—fixed
herself a pot of coffee, gulped down three cups, fingers trembling, and decided it wasn't fair to kick Trevor out and leave
him nowhere to go. There was the possibility of allowing Trevor to stay until Annie Jane figured out what she was going
to do next, but she was sure Crazy Horse wouldn't like that, so her thoughts turned to Charlotte, her best friend since
college. Charlotte had a huge thing for Trevor, always said, "If you ever get sick of him, Annie Jane, just pack him
up and send him my way."
Annie Jane packed Trevor an overnight bag filled with toiletries to take to Charlotte's,
drank three more cups of coffee, and jogged seven miles around the wildlife preserve near the condo, even though there were
ridiculous signs posted that warned in bold block lettering: "No Running in the Wildlife Preserve."
Trevor came
through the door that evening with his iPod and Redskins cap clutched in one hand and his other arm hanging down like his briefcase
was filled with lead. His face swam in the cautious fear of a boy who's discovered his tree-house has been penetrated by
a rival gang. "How'd you find out?"
"It just came to me," Annie Jane said. "Something natural, that's always
lived inside me, on hibernation, and this morning it woke up, sprouted all out and over like one of those science films
where you watch the seed grow at hyper-speed. At first it seemed more like getting snapped up by a crocodile in the
middle of a dark swamp, but there was nothing violent about it, so--"
"Don't be a bitch." Trevor threw his iPod
and cap on the sandy beige sofa. "So it's out, it's over. You don't have to torture me with your caffeinated metaphors."
He looked toward the kitchen, perhaps checking the level of the dark brew left in the coffee pot.
"But I--"
"Who
told you? Did Charlotte tell you? Or did you find the … did you find … anything?" Trevor dropped his briefcase
to the floor with a thunk, and craned his head over his shoulder, in the direction of his desk.
"I haven't talked
to Charlotte," Annie Jane said. "But I packed some stuff for you to take to her apartment. It's only fair you have somewhere
to go."
"Wow," Trevor said, rubbed his temples and looked around the condo like he was trying to decide if he'd
come through the wrong door. "I can't believe you packed for me, that was … that was … wow. You're taking
all this rather well."
"I feel great." She'd never felt better in her whole life. Not the day she won the Spelling
Bee in sixth grade, pounded down Katrina Maloney with aboriginal, a-b-o-r-i-g-i-n-a-l, aboriginal. Not the day she scored
a Principal with the Washington Ballet. Not the day she met Trevor, backstage after the Nutcracker, holding a bouquet of
red roses studded with babies' breath. A man who said she'd bewitched him with the spell of the Sugar Plum Fairy.
None
of those days compared to this one.
Annie Jane was in love.
She handed Trevor his overnight bag, and his face
crumpled like a discarded ball of paper. "Can't we even talk about this, Annie Jane? I don't … I don't love her,
you know. It didn't mean anything. You're the only woman I've ever loved, Annie Jane." Trevor's voice wavered like a
bad swimmer, and his eyes, blue as the waters around the Bahamas, were glassy. He looked sick or drunk, and sank to his knees
on the plush ecru carpeting. "Please don't make me leave."
That made things hard. Annie Jane hated to hurt people's
feelings. Despite what he was trying to confess, Trevor could be a good man.
But it was useless to pretend. "I'm
sorry, Trevor," Annie Jane said. "But my heart belongs to Crazy Horse."
His eyes changed first. All the tears dried
up, and he blinked a few times, looked like he'd been struck on the head. Then Trevor rose, reneged on his beg, put
his hands on his hips. He chewed his upper lip, cleared his throat. His words came dry and sane as Sunday.
"What
the fuck are you talking about?"
"What we've been talking about the whole time." Annie Jane should've known it wouldn't
occur to Trevor that this was about anything other than himself. "I've fallen in love with Crazy Horse."
Trevor
looked at the carpet for awhile. That, or he studied his shoes like he'd never seen them before. When he looked up again
his face was the color of pink glass in a Tiffany lamp. "Who the fuck is Crazy Horse?" The sanity of his tone was gone,
his words shot with bitterness and tossed back like a hard whiskey.
"He's a Sioux Warrior." Annie Jane had never
met such ignorance in all her life. If she were a rude woman, she would've laughed in Trevor's face. But what was more
laughable was the way Trevor seemed to go through emotions like costume changes. It made Annie Jane feel feverish, and
she began to doubt her reality. She wanted to race to the bathroom and exhale, centimeters from the mirror on the wall,
to make sure she was breathing. Then she wanted to take one of Trevor's razor blades, make a tiny cut on her wrist or
her leg or even her face, to see if she bled.
"A what? A Sioux Warrior? You're fucking a hockey player?" Trevor took
a step toward her, stretched his neck out, as if that could make him taller. As if that could frighten her.
Annie
Jane's head cleared, and her heart slowed. She was not frightened. She could get through this. "It's not like that, I--" "When
did this happen?" Trevor did that ridiculous thing with his neck again. He looked about as threatening as a turtle. Which
was funny, because there had been times in the past when Trevor had made that same face, done that same thing with his
neck, and Annie Jane had felt terrified. There was the time she'd promised to iron Trevor's shirts before she went to
rehearsal, forgot, and hid in the closet until Trevor fell asleep. There was the time she dug the key to Trevor's desk
out of his underwear drawer, rooted through it for cash because she needed cab money to get to D.C. on time for her performance
at the Kennedy Center. She'd fled the apartment suffering only two smacks to the face before she made it to the elevator.
There was the time … shit, there were a lot of times, Annie Jane realized. A lot of times she'd been afraid of
Trevor.
"I asked you when the hell this happened."
Annie Jane was glad to be reminded of the morning's hot melted sunshine
amidst the hang of fog and patter of raindrops on the windowpanes. "It happened in the shower."
"You fucked him
in the shower? Our shower?" Trevor turned and kicked his briefcase, sent it flying across the room. The metal clasps burst open
and papers and manila folders scattered all over the spotless carpet.
"I told you, it's not like that."
"Oh,
please," Trevor scoffed. "I've heard that before. Shit, I've said that before. So what is this about? This is about Charlotte, right?
You found the tape I made of us in my desk, because you're always such a snoop, so you brought some hockey player home
and did it in our show--"
"He's not a fucking hockey player!" Annie Jane's love for Crazy Horse had filled her
with heart, and unfamiliar bravery. Crazy Horse, in twelve hours, had already given Annie Jane more than Trevor had in three
years. "He's a Sioux Warrior. A real Sioux Warrior."
Trevor made another costume change. This time he chose Confused
and Repentant. Possibly Disgusted. Then a new emotion fluttered across his face, and he became a psychiatrist who really
believes in his manual of diagnoses. "Oh, God," he said. "Did you take your Zoloft today? Are you feeling depressed
again? You know what happened last time you skipped your pills. You sat in your bathrobe for a week, never took a shower,
smelled like a foreigner who slept in a barn--"
"No."
"You skipped. Either that, or you're drinking." Trevor
leaned in and smelled around her mouth, like it was the fourteenth century and he was checking his wife for an errant
dip in the barrel.
Annie Jane jumped back, guts twisting. "I chose not to take it. After I fell in love with Crazy
Horse." That was an important distinction, in Annie Jane's unprofessional opinion.
"The dead Crazy Horse. Dead over
a hundred years."
"He was murdered," Annie Jane conceded. "Stabbed in the back by a white man."
Trevor waved
a hand in the air. "Do you think," he asked, as he observed the strewn contents of his briefcase, "that him being dead will
get in the way of your happiness?"
Annie Jane hadn't really considered that. Crazy Horse being dead had seemed inconsequential
this morning when the feeling of him had swallowed her like a fire eater at a magic show. "I don't know," she admitted.
"You
can't be in love with a dead guy, Annie Jane."
"Sure you can. You wrote it yourself. In your vows for our wedding. You
wrote, `Nothing can defy true love. True love knows no boundaries.' Remember?"
"Funny you bring up our wedding vows,"
Trevor said. "We're supposed to get married in three days and while I'm off working myself to death you're home Googling
Crazy Horse!"
"I didn't Google him," Annie Jane insisted. "He came to me in the shower."
"Uh-huh." Trevor
smiled, the way an adult talks down to a child.
"Why don't you go get in the bath, relax, and in a few minutes I'll bring
you some hot tea … along with your Zoloft!"
"Get out."
"Annie Jane, you're--"
"Shut up." Even though
Annie Jane was not afraid of Trevor's fists this time, she was tired of looking at him, and wanted to send him running.
And there was only one thing that sent Trevor Wilson, III running. "Get out or I'll mail the tape you have in your desk
to your mother."
Annie Jane was alone. As much as she realized in a flash all the life she'd wasted on Trevor,
he'd made a valid point that Annie Jane hadn't considered.
How much did it matter that Crazy Horse was dead?
She
drank a cup of coffee, then a glass of red wine, relished the rituals particular to each: the smell of the dark powder
and the brew as dark as a Turk's eyes; the slip of the glass and silky liquid the color of blood on her inner lip. When
she was done, and alone in bed, Annie Jane decided she couldn't answer her questions by herself. Tomorrow she would
go visit Dr. Spotted Calf, her calculus professor from college.
In the morning Annie Jane drank two cups of coffee,
with a small shot of Irish whiskey to calm her nerves, and hung outside Dr. Spotted Calf's office at George Mason University.
She knew where he was teaching his ten o'clock class, but there was no way she'd be able to corner him afterward. It
was a strange thing to watch, the way all the students flocked around him after a grueling math lesson, asking either
detailed questions heavily laden with formulas cited to impress, or vague queries that smelled suspiciously like excuses
for lingering, because Dr. Spotted Calf was pretty much a jerk to his students. But he had long black hair that he kept
in braids and a sarcastic, stolid air that made white kids think he had answers to all things spiritual, no mind he
was a professor of math.
Annie Jane recalled that the first five minutes of his class required writing and reciting
the "Three Rules of Calculus 101, As Taught by Dr. Spotted Calf." He scrawled them with sharp snaps of his chalk on the
first day and left them up all semester. "One," Dr. Spotted Calf wrote. "Calculus is your friend." Some of the students
snickered. "Two," Dr. Spotted Calf continued, ignoring their humor. "You may refer to formulas during testing. Good
mathematicians do not memorize formulas, they use them so often they become second nature." This elicited sighs of relief.
"And three," Dr. Spotted Calf finished, his chalk breaking and requiring replacement halfway through his writing of
the last rule. "You may not, at any time, ask me what my name means. If you give it careful, intelligent thought, it should
be self-explanatory."
During her time at GMU, Annie Jane once heard a girl telling Dr. Spotted Calf that he ought
to teach creative writing instead of calculus. "Why?" Dr. Spotted Calf had demanded. "I don't write stories. I am a
professor of mathematics. In fact, I hate stories!" And the girl had run away crying, and never returned. Annie Jane remembered
that the outburst caused her to raise her eyebrows and shake her head, like an old grandmother might. Dr. Spotted Calf witnessed
her admonition, and from that day forward he spit her name out in a rush—"Annie Jane Brokenshire!"—and picked
on her constantly for answers, ignored the fact that Annie Jane crouched motionless, a clown fish amidst a sea of eager
students waving their arms like the tentacles of an anemone.
"Annie Jane Brokenshire," Dr. Spotted Calf snapped,
though it had been seven years since Calculus 101. He glared down at her as she leaned against his office door. "Why
are you bothering me?"
"I need your help, Dr. Spotted Calf."
"I can see that." Dr. Spotted Calf nudged her aside
and unlocked his door. "Why are you shaking? Are you cold? Sick? Hyped up on caffeine, as usual?"
"I'm in love
with Crazy Horse."
Dr. Spotted Calf paused in the half-open doorway of his dark office. He made a grumbling sound
with his throat. "You do need help." He held the door open with his back and motioned her inside. "That's a big problem."
"Because
he's dead," Annie Jane agreed.
"No." Dr. Spotted Calf let the door to his office fall closed behind him, and for
a moment they stood together in darkness and all Annie Jane could see was the outline of Dr. Spotted Calf's braids, and
the faint redness of the leather ties that bound them at the ends. Annie Jane heard a click and the room flooded with
light. "Because you're white."
"Oh." And here she'd been spending all her time worrying over the strength of
the boundary that interfered with everlasting love between the living and the dead. She'd forgotten about the depth of
the race chasm. "Right."
"What're you going to do about it?" Dr. Spotted Calf demanded.
Annie Jane surveyed
the contents of Dr. Spotted Calf's office. She didn't want to miss a possible solution to her compounding problem. She
had no wiggle room to overlook details. On the walls: Da Vinci's "Coition of A Hemisected Man and Woman," and a colorful
map of the world that took up the entire east end. On his desk: a stack of Blue Book exams, an apple with a bite out
of it, now turning brown, and one of those page-a-day calendars, which looked to be a series of dog-eared mini-crossword
puzzles. In the far corner, a trash can overflowing with balled papers and pencil shavings. "I don't know," Annie Jane
admitted. "That's why I came to you for help."
"Crazy Horse was an Oglala-Brule Sioux. I am not," Dr. Spotted Calf said,
and sat down in his desk chair with much ado and rustling of Blue Book exams. He picked up a pen and poised it over the
opened front cover of one of the tests.
"I know you're not Sioux." Annie Jane hadn't come to Dr. Spotted Calf for
help because she thought he was from the same tribe as Crazy Horse. She'd come to him for help because love was, if nothing
else, the world's greatest math problem.
"How do you know I'm not Sioux?" A shadow of a smile played with the sharp
contours and deep creases of Dr. Spotted Calf's intelligent, obstinate face.
Annie Jane rolled back a shoulder.
"You're not pretty enough."
Dr. Spotted Calf stilled his pen, looked up from his Blue Book, and released a long-captive
chuckle. Annie Jane was quite sure she'd never seen his teeth before. They were white and square, looked strong. "Touché,
Annie Jane Brokenshire." He jumped up from his desk, like the seat of his chair had burned him. "Tell me, how did this
happen."
"Yesterday morning. In the shower."
Dr. Spotted Calf nodded, as if he understood about falling in love
in the shower. "And how do you know you love him?"
"Well, I--"
"What is it you love about him? What he accomplished?
What he stands for? You love him like a wife? You love him like a child? You love him like a savior?"
"Well,
I--"
"It's important. I can't help you unless you're honest with me." Annie Jane's face burned like it'd been rubbed
with sandpaper. Her head hurt, right around the temples. She looked out the tiny windows of Dr. Spotted Calf's office
and watched the rain beat the pavement, eddying circles forming in the aged, caving concrete and mixing the edges of
the lawn to a muddy brown soup. "I love Crazy Horse like …" She paused to suck in her breath, felt herself trembling.
"I love Crazy Horse like …"
"Like a sister? Like another man? Like--"
"I love Crazy Horse like old
sheets," Annie Jane said. "Because they're worn soft with years of fatigue and trust. I love Crazy Horse like when you
finally vomit, because that's proof your body's going to fight its invasion, all the way to the death. And I love Crazy
Horse like the way your thighs tingle after you've climbed the tallest mountain, even though the sky is grey and the
wind stings. It doesn't matter because you warm yourself inside with who you are and what you've done, you prickle in
your guts, like a porcupine that's been given the power to reverse her quills. That's how I love Crazy Horse."
The
office was quiet. Dr. Spotted Calf sat down in his chair and took a bite of his rotting apple. He chewed in various tempos,
sometimes quick, sometimes slow, like his grinding teeth matched his thoughts. Annie Jane stared at the crossword puzzle
calendar, and figured from its nappy condition that Dr. Spotted Calf had leafed and scribbled all the way to December.
She wondered if he was measuring the truth and depth of her vow, or if he was considering the senility of a woman who had
been consumed by the love of a dead warrior in her morning shower. "Can you help me, Dr. Spotted Calf? Maybe there's a
potion you can mix, or--"
"Don't get stupid on me, Annie Jane Brokenshire. You were my best student. I'm a professor
of mathematics, not a Hoodoo master."
"Sorry." Annie Jane had gone stupid, but she was desperate.
"You need
to provide Crazy Horse with an extreme test of faith," Dr. Spotted Calf announced, and pitched his gnawed apple core into
the metal wastebasket in the opposite corner of the room. The papers and pencil shavings toppled and poofed. "Two points,"
he said, raised his arms high above his head.
"How do I do that?" Annie Jane asked.
Dr. Spotted Calf shrugged.
"How should I know?"
"But what would a Sioux Warrior do to provide proof of an extreme test of faith?"
"It
doesn't matter." Dr. Spotted Calf lifted his pen, and opened the same Blue Book he'd been pretending to grade for the last
twenty minutes. "You're not a Sioux Warrior. For this test, you have to do what a white woman would do. And I, for one,
have no idea what a white woman would do."
Neither did Annie Jane. She noticed Dr. Spotted Calf had made a few marks
on the exam in front of him. That was her dismissal. "Thanks, Dr. Spotted Calf," she said. "And good-bye."
Dr. Spotted
Calf didn't look up as she opened the office door, but his voice followed her retreat, his tone weighted with the reserve
saved for candlelight dinners or prayers at the tabernacle. "Good-bye to you, Annie Jane Brokenshire."
Annie
Jane drove home, the lines on the highway a little blurry but not enough to make her swerve. What would a white woman do
to provide an extreme test of faith? Annie Jane thought about Charlotte. What would Charlotte do? Vow to quit talking
on her cell phone while she was driving? Return her store-bought boobs? Give all her Sex and the City DVDs and eighties-style
peg-leg pants to the local homeless shelter? Quit sleeping with other women's fiancés?
None of those were tests
for Annie Jane. They couldn't even be considered comparable to Multiple Choice, even if each one would be a Blue Book
Exam for Charlotte. But Dr. Spotted Calf was right. She couldn't expect to win the love of Crazy Horse with nothing more
to show for herself than shin splints and hammer toes.
Annie Jane squeezed past the free-weight bench to get into
the apartment. Trevor had taken everything else with him last night.
Trevor.
Tests.
Annie Jane thought
about what he'd said before he'd left. "You can't be in love with a dead guy, Annie Jane." That's what he'd said. You can't.
Annie
Jane was tired of you can't. That's all she'd been hearing, her whole life, ever since she was four years old and her mother
had told her, "You can be anything you want to be, Annie Jane." Mom had just finished cursing, on her knees scrubbing
Gladys Gentry's tiled kitchen, one of the many kitchens Mom cleaned. Robbie, Annie Jane's younger brother, was whining
in his baby carriage, parked on Gladys Gentry's Berber carpet. Mom's back was bent, her shoulders jerking with the motion
of the hand-brush, her long blond hair roped back and held in place with a pencil snitched from Gladys Gentry's oak desk. "You
never have to do this, Annie Jane," her mother told her. "You can be anything you want to be."
Annie Jane was supposed
to be coloring at the table, but watched a spider instead, in the corner in her web as she wrapped a fly in layers of
white silk. She stood up and looked through Gladys Gentry's French door. "I want to be that." Annie Jane pointed out the
window to the backyard.
Mom rose with relief from her scrubbing, just as an airplane roared overhead. "What?
A pilot? A stewardess? What?"
"No." Annie Jane moved her finger around and around the image of the puff-chested
bird perched in a high layer of one of the pin oaks. It was so tiny, so blue, singing its little lungs out, its beak trembling with
the effort of challenging its insignificance. "I want to be that bluebird."
"Oh," Mom laughed, and sank back to
her knees with a groan. "You can't be a bird, Annie Jane."
You can't.
As she grew older her requests continued
to be met with the same response, though in Annie Jane's opinion each of her suggestions was more and more of a compromise
away from the perfect idea of being a bluebird. "I want to be her," Annie Jane said when she was ten years old. She
pointed at the television screen.
"What?" Mom looked at the TV, at the picture flashing of the inside of a church,
a choir of Black women singing praises to Jesus, a Black minister at a podium, shouting, praying, encouraging the music
and the joy and the weeping. "You want to be a Baptist?" Mom's face spread thin in a grimace, she raised her hands and
shrugged her shoulders in her ragged maid's clothes. "Annie Jane, don't tell me you've found God. Is this about that
time you went to church with that little religious-nut friend of yours?"
"No." Annie Jane pointed again. "I want
to be her." She moved her finger around and around in the air, squinted her eyes at the image of the fattest, Blackest,
happiest woman in the choir. Annie Jane wanted to look like that. Annie Jane wanted to sing like that. Annie Jane wanted
to feel like that.
"Oh," Mom laughed, and went back to paying the bills. "You can't be a big, fat, Black woman,
Annie Jane."
You can't.
When Annie Jane was fifteen, she saw some old sports footage of Dr. J, in his Chucks,
running the court. Jumping. Hanging. Flying. She informed her mother, "I want to be a basketball player."
"I can't
afford to buy you a hoop." Mom had given up on incredulity and admonition, tossed away Annie Jane's fantastic suggestions
with more and more ease as the years passed. "You'll have to go to the schoolyard."
"No, I mean, I want to fly
like Dr. J," Annie Jane said.
"Oh," Mom laughed, never once looked up from her studies. Mom was going to become
a beautician, and not only had she chopped off and dyed her own long beautiful locks, she'd already subjected Annie Jane to
several stinky nail and hair treatments for practice. "You're five foot three, Annie Jane. You can't fly like Dr. J."
You
can't.
When Annie Jane finished college, she told her mother, "I know what I want to do with my life. I want to
work construction."
"What?" Mom didn't pause from her tornado of cabinet rearranging. Her life was different now,
better. She'd gone to school, got a new boyfriend who brought her flowers and leered at Annie Jane's breasts when Mom
wasn't looking. Life was wonderful, and everything from bath towels to soup cans needed to be situated to match this change.
"Like…what?
Constructing what?"
"You know," Annie Jane said. "Like framing houses. Putting up tile." Annie Jane had watched
her mother's transformation from pretty but tired maid to plastic but tired beautician, and she wasn't impressed. She
decided she wanted to be one of the Hispanic guys, up on the roofs, loud and happy and singing under the sun, trilling
to Latino songs while she hammered down beams and tarred up shingles.
"Are you crazy?" A can of peas slipped from
Mom's grasp, fell and nicked her big toe. When she was done slinging curses she faced Annie Jane. "You got a scholarship.
You went to college. You aced calculus. And I scrubbed my butt off my whole life so you could take ballet. You're going
to be a ballerina, Annie Jane. A smart ballerina. Not a construction worker. You can't frame houses, Annie Jane."
You
can't.
"You said I could be anything I wanted," Annie Jane said. "Remember that? You said I could be anything."
"Well,"
Mom laughed, and started to hurry back through re-organizing her pantry. She had to get to work at the beauty salon she
owned with her partner, the bleached and toned and utterly insufferable Wanda Puffenstraight. "That's not what I meant."
After
that day, Annie Jane didn't trust anybody. Even at the Betrothed Couples Retreat for Trevor's church, when they played
this ridiculous game where you were supposed to fall backwards into your partner's arms, Annie Jane couldn't pony up
the blind faith she was supposed to have in her intended. "C'mon, Annie Jane," Trevor had laughed. "I'm not gonna drop
you."
Annie Jane remained unconvinced. Besides, she'd had a lot of coffee during the break and she had to pee. "This
is stupid," she said. "I mean, I could knock you over. Or you could fall asleep while you're standing there, or get
a cramp in your leg, and drop me on accident. I could hit my head and go into a coma. Anything could happen. This isn't
about trust. This is about tricks. This is about forcing people to do things they don't want to do, Trevor. This is about making
us look like idiots."
"For God's sake, just fall back into my arms! Just let go, Annie Jane!"
"No," Annie Jane
said. "I can't."
Annie Jane made a pot of coffee and drank three cups. She listened to her voicemail messages, six
from Trevor, three from her mother, two from Charlotte, and one from Dr. Anstead, each and every one of them asking
her to stop being either crazy, stupid, or thoughtless, and begging her to please take her medication.
Annie Jane
deleted them all.
She was unclear still of her extreme test of faith, but she knew she was afraid, almost in a panic.
The fear caused her to tremble uncontrollably, and in this terrified state she started to do lesser acts, hoping that
a series of smaller tests might make up for accomplishing the real ones that faced her before she could win the heart
of Crazy Horse, bridge the unfathomable gap of race wars and opposite plains of existence.
She did a whole slew
of things she'd always been told she couldn't do. "I'm going to eat until I burst!" Annie Jane ate canned soup and cheese
sandwiches till she threw up six times in the sink. "I'm going to run until my heart explodes!" Annie Jane jogged the Wildlife Preserve
for three hours, until her legs gave out and she passed out on a toxic, No-Digging zone. While she lay there, she had a
vivid series of dreams, the most prominent edges of her consciousness formed to the shape of a giant nest, covered in
singing bluebirds.
Annie Jane woke up with her face in the dirt, realized her folly, went home and got in bed. She
slept without moving until morning, roused by a sun shining brighter than a chest of gold. She got in her car, and drove
to an area in Manassas recently razed of all its trees and wildlife in preparation for a series of wall-to-wall McMansions.
Annie
Jane watched the men, four of them, all wearing blue shirts, perched on the roof of the freshly erected house, their hammers pounding,
their voices trilling happily in Spanish.
Annie Jane's thoughts turned to the man she loved: to Crazy Horse.
Crazy
Horse was, to the whites, a renegade. A problem. A trouble-maker. Crazy Horse was, to his people, a fearless Warrior. An
odd, pensive recluse. A good leader. Crazy Horse was, to Annie Jane, a man who knew how to live. A man who followed his
heart. A man worthy of true love.
Annie Jane abandoned her car and approached the house, waved her arms over
her head at the men till their singing petered out in various stages of gusto and trilling. After a clustered conference,
they all descended the ladder with expert quickness. Annie Jane spoke to the man ahead of all the others, his smooth
brown face dripping with sweat, his hands callused and knuckles bloody, his t-shirt, bare arms and blue jeans layered
in sawdust, tar and dirt. "I need to help build your roof," Annie Jane said.
The man stared at her, shrugged. He
looked over his shoulder at the three guys behind him, and they shrugged too, spoke words to each other in Spanish that
Annie Jane didn't understand. "Uh," Annie Jane started again. "Necesito … uh … trabajar … contigo? Por
favor?"
The man smiled, exposed a front tooth rimmed in gold. He said something in Spanish and shook his head. The
men behind him laughed. "Por favor," Annie Jane repeated. "Te amo … uh … no, not te amo." The men laughed
again, louder this time. Annie Jane had just told the stranger she loved him. And then she'd retracted it, which made her feel
bad. She thought briefly on apologizing, lo siento—of course I love you—but she decided not to create anymore
confusion.
Annie Jane tried again. "Te amo Crazy Horse."
No, that wasn't it, either. She'd just said, "I love
you, Crazy Horse." But yes! That was true! "Si!" she shouted. "Te amo, Crazy Horse!" Annie Jane raised her arms and
did several rapid pirouettes.
"Muchachos, te amo Crazy Horse! Y necesito trabajar contigo, por favor! Ahora!"
The
men laughed, shuffled out of their queue to get a look at her, exchange glances, maybe decide she was loca. But they helped
her anyway. The head man pointed to the ladder, and together they all climbed to the roof of the McMansion.
Annie
Jane had to adjust to what balance felt like on the slanted beams, rested her fingertips against the palms of the men when
she felt shaky. Annie Jane discovered what she'd always known—that they were professional dancers, too—they
just wore jeans and tee shirts and utility boots instead of tights and unitards. The man with the gold-rimmed tooth
told her his name was Luz, and handed her a hammer. Together they worked, breathed sawdust and fresh bursting sunshine, hammered
and sang loud happy songs in Spanish. They put all of their hearts into building a house that none of them would ever live
in. Annie Jane figured she was singing more in Spanglish, but that was okay with her. She sang like a bird, and her
heart was full.
By afternoon, Annie Jane was sunburned, had six slivers, one black thumbnail, and a hole in the
knee of her jeans. Luz climbed down the ladder after her, said something to her in his rapid, musical language, and
put the back of his hand to her forehead.
Annie Jane shrugged.
Luz leaned in, brushed his lips where his knuckles
had been. It was a kiss of concern. A mother checking for fever.
"I'm good," Annie Jane said. "But gracias."
Luz
offered her a hit off the joint the men had been passing around on the roof. Annie Jane sucked it till she felt her lips
burn. Luz's fingers smelled like spice and tar. She held the smoke in her lungs till it jumped out on the edge of her
coughing fit, and Luz clapped her on the back a few times. Annie Jane stood up straight, and Luz smiled at her. Annie
Jane smiled back, they clasped fingertips, and Annie Jane wondered what sort of dreams had lived in Luz's heart when he
was a boy. If they'd had anything to do with A-frames and concrete footers, or if he'd even dared to dream at all. Annie
Jane took another hit off the joint, and her head felt calmer, the growing tremble on her body stilled with the heaviness
of the hot weed.
Annie Jane drove away, knew she would miss Luz and all the other men, even though she didn't really
know them. But she turned her gaze to the blue of the sky, which had dimmed a shade, like the royalness of it had been
brushed over with a thin glaze of rain.
She didn't have much time. Tomorrow was her wedding day.
Annie Jane
checked her cell phone, and noticed there were fifteen missed calls. She rolled down her window as she crossed the Fourteenth
Street Bridge—which felt wobbly and must've been built crooked, in her opinion—and pitched her phone into the
Potomac River. She wasn't sure of her destination, but she drove past all the monuments in the District, cruised around
and around until she came to C Street, which ran next to a row of tall, attached brick housing units on one side, and
a basketball court swarming with Black teenaged boys on the other. Annie Jane parked in front of a fire hydrant, and crossed
to the basketball courts, which thrummed with sweat, curses, and the vibrations of heavy bass coming from a boom box resting
on graffiti and broken glass in the corner of the fenced-in yard.
She watched the boys play until one of them noticed
her. He tapped one of his friends on the shoulder, who tapped one of his friends, and one of his, until the game of
b-ball petered out in slow motion, like actors onstage who all hear the director yell "Cut!" at their own speed.
"What
up wit' the white girl?" one of the boys asked, a red bandana wrapped around his head and knotted in back.
Nobody
had an answer for that.
"I need to play with you," Annie Jane said. She wasn't afraid of the boys, and the increasing
grayness of the sky was nothing but a comfort, but she was terrified of the idea of running the court, trying to sink
a ball. One elbow to the nose and Annie Jane was toast.
The boy with the bandana looked her up and down. "Eh," he called
to his friends. "Mugsy Bogues turned into a white chick and came all the way out here to get game wit' us." Everybody
laughed. He looked her up and down again. "Can you shoot?"
"No," Annie Jane admitted.
"Dribble?"
"A
little."
"Guard?"
"No way."
"Can you do anything?" The boy pointed a finger at her and made a motion
in the air, like he traced an invisible number eight or the sign for infinity.
"I can run," Annie Jane said. "And
I can dance."
"What the hell you out here fo', then?"
"I'm in love with Crazy Horse," Annie Jane said.
"Say
what?"
"I'm in love with Crazy Horse," she repeated.
The boy cupped his hands around his mouth and turned his
head. "She in love with Crazy Horse!" he yelled. The rap music died, Jay-Z instantly shushed with the push of a button,
which rendered the court less of a playground and more ominous in its silence, like a warpath. "I said, she in love
with Crazy Horse!" the boy called.
Laughter.
"I need to play with you, to prove my love to him," Annie Jane explained.
"I need to fly. Like Dr. J."
"Oh, you gonna fly, huh? You gonna play like Dr. J?" The boy cupped his hands around
his mouth again, even though most of the boys were close enough to have heard her and had laughed already anyway, and he chanted,
"She go-in' ta play, like Doc-tuh-J!"
More laughter.
"I'll help you fly." The tallest kid on the court, must've
been close to seven feet, pushed through the group and gave the boy with the bandana an elbow to the chest. He stared
down at Annie Jane, his face straight, his torso bare and sweaty, the orange globe tucked between his elbow and his
hip, a blue sweatband around his forehead catching the drops that hadn't already escaped to his cheeks. "You wanna play with
the Warriors?" He pointed at a few of the boys naked from the waist up. The other half of the boys wore long, sleeveless
shirts. Shirts and Skins.
"Yes," Annie Jane said. "I do. I want to play with the Warriors."
The boy held
out a giant, open-palmed hand, and just as Annie Jane took it he said, "You like Jay-Z?" and tilted his head back toward
the silent boom box. The court hushed, and Annie Jane felt him squeeze her fingers, the softest embrace in the world.
The heartbeat of a gnat.
"No, I don't," Annie Jane said.
"No?"
"No, sir," Annie Jane said. She stripped
off her tank top, threw it in the pile littering the bench outside the court line. "I do not like Jay-Z. I like Robert
Johnson."
The boy smiled. Then he tossed her up on his shoulders and took off running. They flew like Dr. J. All
the boys flew like Dr. J. They'd become hawks, Warrior birds, swooping and swishing, bumping and screeching around the
court, and when the game was over, Annie Jane was covered in sweat, a million new bruises, and a sprinkling of rain that
was starting to drip from the sky.
"Name's Michael," the tall boy said, after he'd helped Annie Jane to her feet
and tossed her the only pink tank top in the pile. "No relation to Jordan," he added.
"Annie Jane." She thought
about sticking out her hand for a formal shake, but it seemed ridiculous after riding around on Michael's shoulders
for the last hour. "Thanks."
"We kicked their asses," Michael said. "Does that do it for you? Profess your love
to … the guy that … who was it?"
"Crazy Horse."
"Crazy Horse," Michael agreed.
"I'm not sure,"
Annie Jane said. She knew something was missing.
She'd come closer with each test, could feel the intimacy compounding in
tandem with the darkening of the sky, the inches between her and Crazy Horse deleting, the feeling of closeness to him
shroud her like the fog that suspended the world on the morning of her fateful shower two days ago. "I've sang like
a bird," she said. "And I've flown like a bird. I'm not sure what's left. What's left that birds do." She racked her
brain, but her mind was so chaotic, her ideas a running machine gun, like scenes of a war movie on heavy fast-forward.
"You
need to be a bird, that it?" Michael asked, paused to give out a series of complicated handshakes to his bare-chested teammates
as they took off for home, some of whom said, "Later, Michael," and some of whom added, "Later, nekid white girl."
Annie
Jane glanced at her pink bra, littered with rosebuds, and pulled her tank top over her head. "I guess they soar," Annie
Jane decided, the picture coming to her fast, and freezing, large as the sky.
"Birds sing, fly, and, if they're
lucky, they soar. What do you think, Michael?"
Michael dribbled the ball a few times, then passed it between his legs,
took it from behind his back, turned, and made a three-point jump shot. The ball bounced back to his massive hands, and
he looked down at Annie Jane. "Girl," he said. "If you need to soar like a bird, then you need to meet my mama."
By
suppertime, everyone in Michael's family had gathered in a tight warm clan of brightly colored clothing and nodding sympathetic
heads completely devoid of suspicion or judgment. They all decided that Annie Jane needed a special church service with
Brother Taylor, and by seven o'clock the whole community had gathered in the church around the corner from Michael's
house. The choir showed up in shiny blue dress robes, and Brother Taylor in a black pinstripe suit and cornflower tie.
Michael's mother, Grace Daley, was head of the choir, and was the fattest, Blackest, happiest woman that Annie Jane had
ever met.
"When we're done here, I'm gonna feed yo' skinny white ass," Grace said. "But for now, we goin' to
sing to the Lord. And even if you don't know the words, I want you to sing loud, and lift your arms high. You understand
me?"
Annie Jane looked into Grace's deep brown eyes, and nodded. She understood. Sing to the Lord. Annie Jane was
going to sing to the Lord! She was sandwiched smack in the middle of the choir, between Grace Daley and her cousin,
Hope Daley. Michael sat in the front row of the church, with about six or seven of the other guys from the basketball
game. The boys were still Warriors, Annie Jane could feel it. The suits and ties did nothing to smother the energy that
brewed in their bellies, a fierce energy that warmed the church, drew in people off the street for a specially prepared
Friday night worship till the place was full as Christmastime.
And what a worship it was! They sang, and they danced.
They sang about the Blood, the Blood never losing its power. And they sang about the mountains and the rivers and the
valleys. And they sang about the Lord. They sang about the sweetness of Jesus and his everlasting redemption. They sang,
and they danced, and some people even fell to their knees in rapture. Annie Jane sweated more in church than she did
on the basketball court. She soaked her blue jeans and her pink tank top with sweat, tears, and the Blood That Would
Never Lose Its Power. Annie Jane felt like the fattest, Blackest, happiest woman on the planet. Annie Jane sang, and she flew,
and she soared.
Annie Jane soared.
Grace Daley fed Annie Jane like she promised, and, seeing as how she'd already
eaten till she burst, Annie Jane felt no need to repeat that ritual, and stopped when she was full. Then Grace Daley threw
her skinny white ass in the shower, gave her a white nightgown that was ten sizes too large, and tucked her in the spare
bed, which was really Michael's bed, who was banished to the worn living room couch with the sagging cushions. Grace
kissed Annie Jane on the forehead. "What are you, girl?" she asked.
Annie Jane wasn't sure, so she said, "I'm a
ballerina."
Grace nodded. "Well, that fits like pixie dust on an angel food cake, don't it?"
Annie Jane shrugged.
"I
always wanted to be a ballerina," Grace said. "But I'm too fat. You're a lucky girl."
"Yes, ma'am," Annie Jane agreed.
"I come from a long line of lucky people."
"Go to sleep now."
"Okay." Annie Jane closed her eyes, and she
dreamt of her mother, natural and pretty and tired of poverty, and of her slow transformation over time to artificial
and painted and hollow in richness. Then the dream changed, and Annie Jane was dancing in her toe shoes, reaching for
her partner, falling down and snapping her ankle.
"So you sang, and you flew, and you soared." It was Michael's voice. Annie
Jane opened her eyes in the darkness. She looked at the digital clock on the end table, which told her in bright green
lights that, in this part of the world, it was midnight. Michael stood by the side of her bed, a shadowy, colossal presence
that made her feel safe. "What you gonna do now?" he asked.
Annie Jane sat up. She'd been wondering the same thing.
Michael was right. She sang, she flew, and she soared. And she was so close to Crazy Horse she could smell him. He smelled
like sweet rain and heady fog and immaculate childhood memories. But Annie Jane wasn't finished proving herself, hadn't
reached the apex of her extreme test of faith, and she had no idea what to do next. "I don't know. But it's big, whatever
it is."
"Dang, you fell hard for this guy," Michael said.
Annie Jane thought again about the great gulf between
her and Crazy Horse: the heartbreaking wrench of time, the perception of culture, the circular vastness between the
poles of reality, of sanity, of truth. Yet she trusted in what happened in the shower this morning more than anything
she'd ever known in her life. Could true love really overcome anything?
Michael sat down on the edge of the bed,
made the mattress dip toward him with his weight. "You over eighteen?" he asked.
"I'm twenty-seven." Annie Jane
didn't mind sliding against him with the sudden slant of the bed. His size was matched only by the warmth that exuded
from the passion for life that he held tight inside him. "Oh." Michael laughed at himself. "You have one of those looks,
like … you can't tell. You could be seventeen or twenty-seven or even forty."
Annie Jane nodded. "I know,"
she said. "I think it has something to do with my size."
Michael shook his head. He put his fist over his chest.
"It has something to do with what's in here."
"Oh," Annie Jane whispered. No one had ever said such a thing to her. "I'm
a gentleman," Michael said. "I'm only here to see if you're okay. You got me worried or somethin', so I'm lookin' out for
you is all."
"Of course you're a gentleman," Annie Jane agreed. She laid her head back against the pillow, and
closed her eyes. "But I'm okay."
"You're sweatin' pretty bad. And you're shakin' worse. I'll sit with you, Annie
Jane," Michael said. "You can sleep, and I'll watch over you. Make sure you okay. Aright? You can let go, Annie Jane."
Annie
Jane fell asleep, and dreamt of mists and mountains, horses and hawks. A violent storm. Hail. And then a fog rose, thick
as obsession, and Annie Jane jolted from her sleep, and sat up in bed. Michael was right. She was hot and sweaty. And
shaking. She could feel it now. Her head burned with fever and her hands trembled like new birth. Michael had fallen
asleep at the foot of her bed, his torso slumped over on the mattress, his knees on the bedroom carpet. Annie Jane got
out of bed, didn't bother to change out of the white nightgown that was ten sizes too big, because it made her feel like
an angel. This was it. It was time. Annie Jane heard the low rumble of thunder, smelled the froth of ancient tides,
felt the ache of passion on the cusp of explosion. Annie Jane leaned over Michael's body, and kissed him on the cheek.
He smelled like his mother, Grace, and her beautiful supper of roast beef and new red potatoes.
Annie Jane found
her car, not booted, busted or glossed with graffiti, still parked in front of a fire hydrant. She drove out to Great Falls,
knowing the park was not open past dark, but also knowing it was impossible, no matter how hard people tried, to gate and
rope off and lock up things that are wild. She remembered a place from the last time she was here, at least ten years
ago, when she really had been seventeen, had been young and innocent and oblivious to her fate. She'd felt a connection
to the place, a separation from her body and all its wants and desires, a lightheaded bask of attachment and sacred love
that she knew she'd never replicate. She'd vowed right then to return to the Falls every year. But she'd never been back.
Annie
Jane parked in the darkness, and registered the time as 3:30 A.M. It was her wedding day, both here in Great Falls, Virginia,
and in the Black Hills.
Annie Jane slinked through the trees and crunched on the rocks in the darkness. She could
hear the mad rush of the falls, and smell the moon on the wind. Her eyes had long ago adjusted to the nighttime, but
that was useless because the fog had risen so thick it was like wading through the gossamer spun from the abdomen of a
spider.
But direct vision didn't matter. What was right in front of her didn't matter. All that mattered was turning
her eyes to the sky, to the sight of a hawk, streaking beneath the light of the haze-shrouded moon. Annie Jane climbed
toward it, till she reached the peak of a rocky ridge near the rushing Potomac River, high from the spring rains. She
stood on the edge of her ridge, curled her toes over the sharpness of the rocks, closed her eyes, and pictured Crazy Horse. His
long, dark hair, flowing free. His body, slight, and painted with hailstones. There were no undisputed photos of Crazy
Horse in existence, but there was an artist's rendering, done by Andrew Standing Soldier, a man who, before he attempted
his sketch, spoke with the Elders who knew Crazy Horse intimately. Annie Jane had seen it, had taken it upon herself
to Google Crazy Horse, an unwitting suggestion provided by Trevor before he left the day Annie Jane would last rest
eyes on him.
But it wasn't this image that came to Annie Jane as she stood on the rocks, above the rushing falls
of the Potomac. No image came at all. She expected, as she stood alone, cloaked in the mist, her mind open and her senses
running like wild rivers, that she would feel again the unexpected, glorious insistence that she'd felt in the shower almost three
days ago.
Annie Jane felt nothing.
Her eyes flew open as her heartbeat rose and made her skin prickle to her
fingertips. Every step she'd ever taken in life had led her to this moment. This was her path. "Crazy Horse!" she screamed.
She might be white, but she'd worked hard to prove herself. Time and space might be a big issue, but she'd traveled
a long way today.
Annie Jane's love meant more than anyone's, because she'd worked the hardest to show it, to win
his heart in return. Annie Jane was not crazy. Annie Jane was a Warrior. She wanted to hunt with Crazy Horse. She wanted
to raid with Crazy Horse. She wanted to lie down with Crazy Horse. She wanted to die with him, all over again, get stabbed
in the back in treachery, the world left to mourn in confusion and despair. Annie Jane would see Crazy Horse to the end
of his days. To the end of all days.
"Crazy Horse!" she screamed again. She squeezed her eyes shut. Her body
trembled like the flu. It quivered like an orgasm. It shook like an earthquake. The fog felt clammy. Cold. Not warm, like
the shower had been on her back. Not warm … like the shower … on her back.
Annie Jane smiled. She flexed
her arches, tipped on her toes, the rocks cutting into her thickened skin, and she danced like a ballerina in circular,
precise steps. She kept her eyes closed, and tiptoed her back to the edge of the Falls.
Turned her back, and her
trust, to the great chasm of impossibilities. She felt the wet spray soaking her gown. A mist. A warm breath. A heat
that stilled her shaking. Washed away the ache of her head, breathed a life into her body that could paralyze the universe.
Annie Jane sighed, rested to the soles of her feet, opened her arms wide. Crazy Horse filled her. He tasted like fresh
blood, and sea salt, and vomit. He tasted like hot Turkish coffee, and silky red wine. He tasted like old bones, and
even older trees, and the sweet dew of springtime where it catches on a freshly spun cocoon. Annie Jane whispered, "Tasunka
Witko."
His name was carried away in the mist.
"Annie Jane."
The voice crawled through the fog.
"Annie
Jane!"
Her name was garbled, like it came from a merman with a throat full of water.
"Oh, God. Annie Jane."
Annie
Jane opened her eyes. She thought she saw the outline of Michael, the giant of the basketball court, hovering in the fog.
It might've been his shadow that loomed, or it might've been the tangled reach of the dogwoods and sugar maples. Whatever
it was, it was brown and beautiful like Jesus. The shadow stretched out a hand towards her, fingers trembling, eyes
piercing the haze and battling the drop from the rocks to the Potomac at Annie Jane's back. She smiled at him, and closed
her eyes again.
"Annie Jane!" It sounded far away. "Whatever it is, Annie Jane, it don't matter. You don't have
to do this. Nothing can be this bad. Just let it go, Annie Jane."
"Tasunka Witko."
"Annie Jane. No. You can't."
A
perennial force opened her, as wide as the sky, consumed her, as deep as the hesternal moon of a tangled wood. Love knows
no boundaries.
Annie Jane let go.
Lysi Whisler was born in San Antonio and was raised in Italy, Alaska, Nebraska and Hawai'i.
She now lives in northern Virginia where she homeschools her three children. Black Rocks, a work of historical fiction,
placed in the 2005 Paul Gillette Memorial Novel Writing Contest. She has just completed Ghost Dance, a multicultural literary novel
with a commercial edge.
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